And of course, here is the reason for the interrogation:
As that daunting subtitle suggests and students of philosophy will know, the play is based on actual events. Spinoza, a Portuguese Jew living in Amsterdam, was a brilliant scholar whose inquiries led him into territory that made trouble for his fellow Jews, who were graciously tolerated if not wholly welcomed into Dutch society.
The play opens with the brief for the prosecution from Abraham van Valkenburgh (David Garrison), a civic leader who is alarmed at rumors that the well-liked young man is spreading poisonous thought through the city. “He is a threat to the piety and morals of this entire city, and he and his ideas must be stopped,” he importantly intones. “The city’s regents send you this message: Abide by our laws, adhere to the regulations governing your community or face the consequences.”
Mr. Ives lays out the mechanics and the consequences of Spinoza’s interrogation in a debate among van Valkenburgh; the city’s chief rabbi, Saul Levi Mortera (Richard Easton), Spinoza’s teacher and mentor; and Gaspar Rodrigues Ben Israel (Fyvush Finkel), a “parnas” of the temple congregation, or member of the committee that will pass judgment on the case. At stake is possible excommunication from the religious fold, and indeed all social contact with the city’s Jewish establishment.
Check out the full review here, and here is more information about the play.
What exactly is Spinoza accused of? Oh, just general atheism and heretical questioning of key tenets of Judaism and Christianity. But before presenting the interrogations as a battle of ideas between Spinoza and his accusers, Mr. Ives gives us a snapshot portrait of the philosopher as a young man.
Idling at a tavern with a friend, Simon de Vries (Michael Izquierdo), the young Spinoza, who is played as a gentle-hearted genius by the engaging Jeremy Strong, speaks of his interest in things eternal and things mathematical, and the connections between the two. Later, exchanging confidences with a music teacher, Clara Van den Enden (Natalia Payne), to whom he is romantically devoted, he dismisses as “entertaining stories” many of the biblical tales she holds dear. “Nature, which is to say God, cannot depart from its own laws,” he explains in a friendly tone, as if speaking of simple sums.